Cross Section of a Toothbrush with Paste, in a Cup, on a Sink: Portrait of Coosje's Thinking

Haus Esters, Krefeld, Germany

Steel and cast iron painted with polyurethane enamel
19 ft. 8 in. x 9 ft. 2 in. x 7 in. (6 x 2.8 x 0.2 m)

Commissioned November 1982 by the Krefelder Kunstverein
Installed and inaugurated November 25, 1983


Cross Section of a Toothbrush with Paste, in a Cup, on a Sink: Portrait of Coosje's Thinking, 1983 Cross Section of a Toothbrush with Paste, in a Cup, on a Sink: Portrait of Coosje's Thinking, 1983 Cross Section of a Toothbrush with Paste, in a Cup, on a Sink: Portrait of Coosje's Thinking, 1983


Statement by the Artists

Cross Section of a Toothbrush with Paste, in a Cup, on a Sink: Portrait of Coosje's Thinking, 1983 The Cross Section of a Toothbrush... was developed from the image of a blue toothbrush with paste that stood in a red cup, on the edge of the sink in our bathroom. This everyday scene was given unique form through Coosje's decision to combine the separate objects into a single shape by clinically cutting through them in two parallel slices. The result was a triangular geometrical form, suggesting a design from the de Stijl movement, yet resembling a sun-dial. As Coosje's perception not only signified her analytical approach to situations but also a union of opposites, Portrait of Coosje's Thinking became part of the title.

Cross Section of a Toothbrush with Paste, in a Cup, on a Sink: Portrait of Coosje's Thinking, 1983 In 1983, the Cross Section of a Toothbrush... was installed at a site in Krefeld, Germany, as part of the 100 year anniversary of the Krefelder Kunstmuseum. The sculpture is located in front of the Haus Esters, designed by Mies van der Rohe, an extension of the Museum in the residential area of the city. Because the Haus Esters had originally been a private home the toothbrush seemed an appropriate emblem. Moreover, as a result of Coosje's transformation of the subject, the sculpture is stylistically harmonious with the architecture. The Cross Section of a Toothbrush nevertheless serves as a contrast to the building through its strong diagonal, its vivid color, its changing appearance as one moves around it -- from directly in front it is reduced to a strip -- as well as its lingering pop origin exemplified by the shaved pink paste and brown gum massager against the sky, said to disturb conservative neighbors on the Wilhelmshofallee.

Five years after the installation, we turned the Haus Esters into the Haunted House, with an exhibition of sculptures in the form of enlarged discarded objects imagined to have been thrown through the windows, among other things an apple core, a stuffed rabbit, a broken bird house, a battered muffler, and a full-size, soft replica of the Cross Section of a Toothbrush..., in painted canvas, with its foundation -- made of Styrofoam -- attached, like an uprooted tree.


Cross Section of a Toothbrush with Paste, in a Cup, on a Sink: Portrait of Coosje's Thinking, 1983 Cross Section of a Toothbrush with Paste, in a Cup, on a Sink: Portrait of Coosje's Thinking, 1983 Cross Section of a Toothbrush with Paste, in a Cup, on a Sink: Portrait of Coosje's Thinking, 1983 Cross Section of a Toothbrush with Paste, in a Cup, on a Sink: Portrait of Coosje's Thinking, 1983 Cross Section of a Toothbrush with Paste, in a Cup, on a Sink: Portrait of Coosje's Thinking, 1983


 

 


ALL IMAGES AND TEXT ON THIS SITE ARE COPYRIGHT CLAES OLDENBURG AND COOSJE VAN BRUGGEN AND MAY NOT BE REPRODUCED WITHOUT EXPRESS WRITTEN PERMISSION FROM THE ARTISTS.

 


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